Sidewalk Flowers, by JonArno Lawson
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Sidewalk Flowers, by JonArno Lawson
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In this wordless picture book, a little girl collects wildflowers while her distracted father pays her little attention. Each flower becomes a gift, and whether the gift is noticed or ignored, both giver and recipient are transformed by their encounter. "Written" by award-winning poet JonArno Lawson and brought to life by illustrator Sydney Smith, Sidewalk Flowers is an ode to the importance of small things, small people, and small gestures.
Sidewalk Flowers, by JonArno Lawson- Amazon Sales Rank: #21894 in Books
- Brand: Lawson, Jonarno/ Smith, Sydney (ILT)
- Published on: 2015-03-17
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .50" w x 9.00" l, .0 pounds
- Binding: Hardcover
- 32 pages
From School Library Journal K-Gr 3—An emotionally moving, visually delightful ode to the simple powers of observation and empathy. A young girl and her father walk home from the grocery store through busy city streets in this wordless picture book. Along the way, Dad is preoccupied—talking on his cell phone, moving with purpose, eyes forward—while his daughter, a bright spot of red in a mostly black-and-white world, gazes with curiosity at the sights around her. In graphic novel-style panels, readers see what she sees: colorful weeds and wildflowers springing up from cracks in the pavement. She begins to collect these "sidewalk flowers" as they make their way past shops, across bustling avenues, and through a city park. Halfway through their journey, the little girl surreptitiously begins giving pieces of her bouquet away: a dandelion and some daffodils to a dead bird on a pathway; a sprig of lilac to an older man sleeping on a bench; daisies in the hair of her mother and siblings. With each not-so-random act of kindness, the scenes fill with more and more color, until the pen-and-ink drawings are awash in watercolor, her world now fully alive and vibrant. With pitch-perfect visual pacing, the narrative unfolds slowly, matched by the protagonist's own leisurely appreciation of her environment. Smith expertly varies perspective, switching from bird's-eye view to tightly focused close-ups. The panel format is used exquisitely; the individual choices are purposeful, and the spaces between panels effectively move the story. VERDICT This is a book to savor slowly and then revisit again and again.—Kiera Parrott, School Library Journal
Review Winner of the Governor General's Literary Award for Children's Illustrated BooksWinner of the Amelia Frances Howard-Gibbon Illustrator's AwardWinner of the Elizabeth Mrazik-Cleaver Canadian Picture Book AwardWinner of the Booksource Scout Award, Favorite Picture BookWinner of the National Cartoonists Society Reuben Award for Book IllustrationA New York Times Best Illustrated Children's Book of the YearA Horn Book Fanfare SelectionA Kirkus Reviews Best Picture Book of the YearA School Library Journal Best Picture Book of the YearAn ALA Notable Children's BookA New York Public Library Best 100 Books for Reading and SharingA Cybils Award winner, Fiction Picture BookA USBBY Outstanding International BookA National Post Best Book of the YearA NCTE Charlotte Huck Award for Outstanding Fiction for Children Recommended BookA 49th Shelf Favourite Picture Book of the YearFinalist for the Goodreads Choice Award for Best Picture BookA Bank Street College of Education Best Children's Book of the Year, 2016"I’d give this book to anyone with a coffee table." — New York Times"A poignant, wordless storyline . . . this ode to everyday beauty sings sweetly." — Kirkus, starred review "A reminder that what looks like play can sometimes be a sacrament." — Publishers Weekly, starred review"An emotionally moving, visually delightful ode to the simple powers of observation and empathy. . . . A book to savor slowly and then revisit again and again." — School Library Journal, starred review"A quiet, graceful book about the perspective-changing wonder of humble, everyday pleasures." — Booklist, starred review"Sidewalk Flowers is picture-book perfection." -Shelf Awarenss, starred review"This incredibly special wordless picture book explores the way in which accidental flowers, flowers some people even consider weeds, can bring color and brightness to a city world." — Through the Looking Class Children's Book Reviews, Editor's Choice"Affecting, efficient, moving, kind. Lawson’s done the impossible. He wrote poetry into a book without a single word, and you wouldn’t have it any other way." — A Fuse #8 Production
About the Author JonArno Lawson is a three-time winner of the Lion and the Unicorn Award for Excellence in North American Children’s Poetry, and the author of numerous books for children and adults, including Enjoy It While It Hurts, Down in the Bottom of the Bottom of the Box, and Think Again. He lives in Toronto with his wife and three children.Sydney Smith was born in rural Nova Scotia, Canada, and has been drawing since an early age. Since graduating from NSCAD University, he has illustrated multiple children’s books and he has received awards for his illustrations, including the Lillian Shepard Memorial Award for Excellence in Illustration. He now lives in Toronto and works in a shared studio space in Chinatown where he eats too many bahn mi sandwiches and goes to the library or Art Gallery of Ontario on his breaks.
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12 of 12 people found the following review helpful. Bright spots of joy and comfort. By E. R. Bird When you live in a city, nature's successes can feel like impositions. We have too many pigeons. Too many squirrels. Too many sparrows, and roaches, and ants. Too many . . . flowers? Flowers we don’t seem to mind as much but we certainly don’t pay any attention to them. Not if we’re adults, anyway. Kids, on the other hand, pay an exquisite amount of attention to anything on their eye level. Particularly if it’s a spot of tangible beauty available to them for the picking. Picture books have so many functions, but one of them is tapping into the mindset of people below the ages of 9 or 10. A good picture book gets down to a child’s eye level, seeing what they’re seeing, reveling in what they’re reveling in. Perspective and subject matter, art and heart, all combine with JonArno Lawson and Sydney Smith’s Sidewalk Flowers. Bright spots of joy and comfort, sometimes it takes a kid to see what anyone else might claim isn’t even there.A girl and her father leave the grocery to walk the city streets home. As he leads, he is blind to the things she sees. A tattooed stranger. A woman in a cab. And on one corner, small dandelions poking out of the sidewalk. As the two walk she finds more and more of the beauties, and gathers them into a bouquet. Once that's done she finds ways of giving them out. Four to the dead bird on the sidewalk. One to the homeless man asleep on the bench. Five tucked into the collar of a dog. Home once more she plants flowers in her mother's hair and behind her brothers' ears. Then, with the last blossom, she tucks it behind her own ear. That done, she's ready to keep walking, watching and noticing.Now JonArno Lawson, I know. If I had my way his name would grace the tongue of every children’s librarian in America. However, he is both Canadian and a poet and the dual combination dooms his recognition in the United States. Canadians, after all, cannot win most of the American Library Association awards and poets are becoming increasingly rare beasts in the realm of children’s literature. Time was you couldn’t throw a dart without hitting one or two children’s poets (albeit the slow moving ones). Now it sometimes feels like there are only 10-15 in any given year. Treat your children and read them The Man in the Moon Fixer’s Mask if ever you get a chance. Seen in this light, the idea of a poet turned wordless picture book author is unusual. It’s amazing that a man of words, one that finds such satisfaction in how they are strung together, could step back and realize from the get-go that this story could be best served only when the words themselves were removed.A picture book as an object is capable of bringing to the attention of the reader those small moments of common grace that make the world ever so slightly better. In an interview with Horn Book editor Roger Sutton, author JonArno Lawson cited the inspiration for this book: “Basically, I was walking with my daughter down an ugly street, Bathurst Street, in Toronto, not paying very close attention, when I noticed she was collecting little flowers along the way . . . What struck me was how unconscious the whole thing was. She wasn't doing it for praise, she was just doing it.” I love this point. The description on the back of this book says that “Each flower becomes a gift, and whether the gift is noticed or ignored, both giver and recipient are transformed by their encounter.” I think I like Lawson’s interpretation better. What we have here is a girl who is bringing beauty with her, and disposing of it at just the right times. It becomes a kind of act of grace. Small beauties. Small person.Now we know from Roger’s interview that Lawson created a rough dummy of the book and the way he envisioned it, but how artist Sydney Smith chose to interpret that storyline seems to have been left entirely up to him. Wordless books give an artist such remarkable leeway. I’ve seen some books take that freedom and waste it on the maudlin, and I’ve seen others make a grab for the reader’s heart only to miss it by a mile. The overall feeling I get from Sidewalk Flowers, though, is a quiet certitude. This is not a book that is pandering for your attention and love. Oh, I’m sure that some folks out there will find the sequence with the homeless man on the bench a bit too pat, but to those people I point out the dead bird. How on earth does an artist show a girl leaving flowers by a dead bird without tripping headlong into the trite or pat? I’ve no idea. All I know is that Smith manages it.Much of this has to do with the quality of the art. Smith’s tone is simultaneously serious and chock full of a kind of everyday wonder. His city is not too clean, not too dirty, and just the right bit of busy. For all that it’s a realistic urban setting, there’s something of the city child to its buzz and bother. A kid who grows up in a busy city finds a comfort in its everyday bustle. There are strangers here, sure, but there’s also a father who may be distracted but is never any more than four or five feet away from his daughter. Her expressions remain muted. Not expressionless, mind you, but you pay far more attention to her actions than her emotions. What she is feeling she’s keeping to herself. As for the panels, Smith knows how to break up each page in a different way. Sometimes images will fill an entire page. Other times there will be panels and white borders. Look at how the shelves in a secondhand shop turn the girl and her dad into four different inadvertent panels. Or how the dead bird sequence can be read top down or side-to-side with equal emotional gut punches.The placement of each blossom deserves some credit as well. Notice how Smith (or was it Lawson?) chooses to show when the flowers are bestowed. You almost never see the girl place the flowers. Often you only see them after the fact, as the bird or dog or mother remains the focus of the panel and the girl hurries away. The father is never bedecked, actually. He seems to be the only person in the story who isn’t blessed by the gifts, but that’s probably because he’s a stand-in more than a parent. For adults reading this book, he’s a colorless reason not to worry about the girl’s capers. His purpose is to help her travel across the course of the book. Then, at the end, she takes the last remaining daisy, tucks it behind her ear, and walks onto the back endpapers where the pattern changes from merely a lovely conglomeration of flower and bird images to a field. A field waiting to be explored.The use of color is probably the detail the most people will notice, even on a first reading of the story. In interviews Lawson has said that folks have told him that the girl’s hoodie reminds them of Peter in The Snowy Day or Little Red Riding Hood. She’s a spot of read traveling through broken gray. Her flowers are always colorful, and then there are those odd little blasts of color along her path. The dress of a woman at a bus stop is filled with flowers of its own. The oranges of a fruit stand beckon. The closer the girl approaches her home, the brighter the colors become. That grey wash that filled the lawns in the park turn a sweet pure green. As the girl climbs the steps to her mother (whose eyes are never seen), even her dad has taken a rosy hue to his cheeks.After you pick up your 400th new baby book OR story about an animal that wants to dance ballet OR tale of a furry woodland creature that thinks that everyone has forgotten its birthday, you begin thinking that all the stories that could possibly be told to children have been written already. Do not fall into this trap. If Sidewalk Flowers teaches us nothing else it is that a single child could inspire a dozen picture books in the course of a single hour, let alone a day. There’s a reason folks are singing this book’s praises from Kalamazoo to Calgary. It’s a book that reminds you why we came up with the notion of wordless picture books in the first place. Affecting, efficient, moving, kind. Lawson’s done the impossible. He wrote poetry into a book without a single word, and you wouldn’t have it any other way.For ages 3-6
6 of 6 people found the following review helpful. I'm fifty-something and this brought me straight back "home" to childhood! By mindbuilder I'm a big girl...fifty-something...and this brought me straight back home to my childhood! Oh sure, my parents did not have cell phones, but I remember going with them on errands, walking along and doing the very same things the little girl in this book did. The page where she finds the bird, oh that made my heart ache with remembrance of how a death could move us emotionally, young as we were!This is a lovely book to buy for a grandchild (which I did), to "read" together and inspire conversation about all kinds of topics that touch all of us in the past or present. It's a story for everyone to enjoy.
6 of 6 people found the following review helpful. A Complete Delight By Laura L. Harrison One of the most beautiful picture books I have ever seen. Wordless (you don't need them one little bit with this book), poignant and utterly charming. A little girl walking with her dad gathers flowers from various nooks and crannies in the city. She eventually disperses them amongst the homeless, animals (living and deceased), her family and lastly herself. Her gifts are transformative to the receivers. Too bad the author doesn't live in the states. It would be an easy Caldecott 2016 win. The illustrator works pure magic. Magnificent.
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